Saturday, February 2, 2008

The Beatles in space…and we’re happyish

So it has been decided, the Beatles’ Across the Universe, is going to be sent into space by NASA on February 4. To be more specific, a Beatles’ tune is going to be our medium of communication with aliens (not the ones that jump over fences, and make dinky rafts that promptly sink when put in water).

Are we earthlings OK with this?

Let’s put it this way, if it wasn’t the Beatles, which band or musician would you have representing our rock?

I have no problem with the Beatles (after all, they are my second favourite band of all time). But I would rather have had my favourite, The Band…but what song? I would go with Acadian Driftwood, but you’d be hard-pressed finding an alien that understands what a ‘gypsy tailwind’ is.

Then of course, there’s the Starman himself, David Bowie.

Martians, however, would be rather perplexed at why they have never been privy to a spider. Bowie’s Space Oddity might be a good choice, after all spacelings may have seen quite a few of our bumbling astronauts prancing about like cosmic retards in their oversized nappies.

But why send Pop at all, what about Rock? Led Zeppelin’s Kashmir would be a nice — if a tad ominous in an ‘onward Earthy soldiers’ way — touch. Stairway to Heaven might go down a treat, what with all Dick Planty’s wailing, and hedgerow bustling. You can almost picture a bug-eyed and well-travelled Neptunian, describing a hedgerow to his partner: “It’s about four feet high, and meant to offer privacy to beings that average five feet in height…go figure.”

Then there’s the likes of Slayer, Slip Knot, Megadeth et al. There’s something to be said for using these dimwitted draft-dodgers’ music as the theme from Earth, the TV Show.

I’m pretty sure the lines, “I am eternal terror my quest will never end/I'll trap you in the pentagram/And seal your battered tomb” from Slayer’s Face the Slayer, will be a right showstopper at the annual Saturnela festival on…errr…Saturn.

Many will take umbrage, or may even be affronted, by the fact that jazz, blues and classical weren’t even thought of.

But honestly, would you rather listen to Earl Klugh tweetering on about nothing; Howlin’ Wolf wailin’ about why his lady left him (neatly skipping the fact that he’s an alcoholic, wife-beating, whore-monger), or Bach playing something so opulent, it screams of a pomposity that no other race — apart from star-eating Xerxons — deserve to boast about? Though not.

So it brings us back to pop…what’s that you say? Country?! Hmmm…country.

Let me tell you why country is such a bad idea, it doesn’t even deserve consideration.

For one, Rednecks shouldn’t be representing themselves, let alone an entire planet. Second, anyone who sings while wearing one of the world’s most bizarre headgears needs to be locked up, not asked to provide the message for interplanetary communication. And finally, who listens to country anyway? Imagine if an alien landed on earth and said, to the first passerby: “Hi ya’ll! How’s the li’l ladeh and ol’ dadeh that left when you was a little lied. An’ how’s Billy, and the boys at them Last Chance Saloon? An’ how’s yer cheatin’ art?” You’d probably nut the little green blighter and tell him to sod off to Texas. The whole world will become Texas. Every krypton-pickin’ alien in the universe would call us the good ol’ boys from Earth! Do you want that? No!

So we’re stuck with the Beatles, and Across the Universe.

I wonder what all the mullahs and Mein Pope will make of the fact that humanity is going to be represented by the words “Jai guru deva om”?

Anyone out there reckon the million Indians working for NASA had a hand in the selection?

Review of the week

Title: The Assassination of Jesse James by the Coward Robert Ford

Director: Andrew Dominik

Cast: Brad Pitt, Casey Affleck, Sam Rockwell

Certification: R

There are certain characters in history, on whose lives, so many films have been made that it has rendered them almost unwatchable. Jesse James is one such character. According to Wikipedia, that unmatched and now rather accurate webopedia, there have been 18 films made about the criminal (with four being made in the last 10 years).

So when director Andrew Dominik decided to make film number 19, he knew he had to have a foolproof plan. Thankfully he did.

With Brad Pitt playing Jesse James, star wattage was assured. All he then needed was a suitably cowardly Robert Ford, and in Casey Affleck he found a perfect poltroon.

The story focuses on Jesse James’ life after the disbanding of the original James Gang. What’s left is a ragtag (and frightfully petty) band of aspiring train robbers and yellowbellied hangers-on that is kept in tow only by the knee-buckling levels of fear Jesse conjures in them.

Sam Rockwell plays Charley Ford, brother of Jesse’s would be assassin. And it is Charley who becomes Jesse’s right hand man in the final sunsets of the infamous outlaw’s life. Unbeknownst to him, Charley would also hold the lynch pin that Jesse would so prod him to pull.

Robert Ford, frustrated by the constant accusations of cowardice, immaturity and ineptness — leveled by, among others, Jesse — is never a key member of the Gang (although, ironically, it is his action [sic] that has the most profound effect).

Brad Pitt is very good as the paranoid, and mentally distraught James: His passion is as ferocious as his bouts of melancholy are dark.

But it is Affleck who is the real star actor of this film. His sneaky eyes and slimy smile epitomise the cunning of a man well-heeled in the ways of trouble-dodging. His blasé attitude towards the preservation of anyone else’s skin but his is so realistic, that I’m surprised no one has taken a potshot at him yet.

‘The Assassination of Jesse James’ may have some solid acting, and a decent script (also courtesy Dominik) but it needed more…it needed some magic. And the Merlin that answered the call was Coen Brothers’ staple, cinematographer Roger Deakins. Deakins’ work speaks volumes of the man’s prowess behind the camera. He was the man behind the gorgeous looks of films such as ‘No Country For Old Men’, ‘Jarhead’, ‘Fargo’, ‘O Brother Where Art Thou!’ and ‘The Shawshank Redemption’.

If it wasn’t for Deakins’ sublime vistas, and light play reminiscent of Freddie Young, ‘The Assassination of Jesse James’, would have been a moderately good film. But as it stands, it’s a very good one.


Rating: 3 and a 1/2

Thursday, January 31, 2008

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Here's a sample of the art it offers: